It's the End of the Show as We Know It

I got to work last night at 4:30 pm and was handed a full page of new text to learn for the final performance of the original version of Buffalo Bill's Wild West Show (La Legende de Buffalo Bill), Disney Village, Disneyland Paris France. I'm not sure who wrote the text but I'm going to hazard a guess he or she doesn't make a living as a writer. The intentions were good but it just didn't work. So I re-wrote the speech and during the final revue of the second show delivered it, with some improvisation of course. Because I am blessed with a short memory, I paused slightly in places for my brain to catch up, which had the affect of adding drama and emotion to the speech. You'll have to imagine that part as you read. Here's how the show's run, in it's original form, ended:

BUFFALO BILL (me)

(Old text) Folks, we hope you have enjoyed yourselves, and we hope you will all come back and return with us again to the legendary world of the pioneer days on the great American plains.
(New speech) Although if you do, your experience will be very different than it was here tonight. Buffalo Bill's Wild West Show first played under this roof 17 years ago, back in 1992. Some of the original cast are still with us here tonight. I want to thank them for their dedication and spirit (audience and cast applaud) and I want to thank all of our esteemed guests who have patronized our show over the years. But now, after more than 11,000 shows in front of more than 11 million people, tonight's performance marks the last of it's kind. Starting next week our show will feature Mickey Mouse and Friends (unsolicited hoot of laughter from the audience) That's the reaction I often get when I talk about this. Mickey and his Friends will add a new flavor of fun and magic to our show, while retaining all the excitement of the original. We hope you all come back and see our new show. But now, to mark the end of an era and the beginning of a new one, some of my Native American friends have asked to perform for you an inter-tribal song.
As Auguste Durand Rouel (Didier) translates, Kave, Wiley, and Petit Loup bring a drum onstage. Sitting Bull (Shawn) joins them as they perform a very moving Native American Indian song. The audience and cast explode in applause that lasts almost until the drum is carried off stage. Their last few steps are taken in heavy silence before I start my final text:
Just remember - wherever there's a sunset, there's a West. But there was only one... BUFFALO BILL'S WILD WEST !!

We all exchanged compliments and condolensces afterwards, and posed for a last-minute improvised group photo (thankfully our biggest fan, photographer, and all-around good guy Marc Veillard was there with his camera or even that would not likely have happened).
Now it's the next day and in two hours I'll be attending the dress rehearsal for the Mickey-fication of what had become a 17-year old institution, tradition, and legend in its own right. I still hold on to a shred of optimism, or maybe I should say I have the audacity to hope, that all this pomp and ceremony of a "final show" will fuel the version of Murphy's law that causes things to go the opposite of planned, and we will one day revert back again to a re-energized production of the original show. Until then, a big, fat, gritted-teeth, vein-popping, bone-crushing hug to our newest cast member..

M I C ... see you real soon!
K E Y ... why? Because we LIKE you!
M O U S E !!

Castmembers Start Bidding Farewell to the WWS

After 17 years and roughly 11,000 shows, tomorrow is the last day Buffalo Bill's Wild West Show (La Legende de Buffalo Bill), Disney Village, Disneyland Paris France, will be performed as it was originally conceived. After that, giant rodents and a dog will become integral members of the cast - not just any giant rodents and dog, but Mickey, Minnie, Chip and Dale, and Goofy. They dance, sing, wave, and "speak" via recorded bites in various scenes. The Cattle Trail scene has become a full-blown Disney Character Ho-Down Musical.

The changes are an attempt by Disney's marketing team to capitalize on the "Mickey's Magical Party," a marketing initiative for 2009 that includes four new Character-driven shows in the Disney themeparks. The idea is to expand the audience of Buffalo Bill's Wild West Show by targeting families with very young children - Disney's core demographic. Whether the show achieves it's objective or not, nobody knows for sure, but for the human cast who take pride in presenting a largely authentic reproduction of the original Buffalo Bill's Wild West Show, the show will be over when Disney Characters arrive, and that's Friday March 20, 2009 - the "soft" opening. The show is closed Wednesday and Thursday, so Tuesday, tomorrow, is the last day. Already many among the cast have played their last traditional show since they will not be working tomorrow. The Native Americans are planning to sing a traditional native song to commemorate the end of the show as we know it.

Character Dancers Visit the Wild West Show

(Picture courtesy of www.rorymcdyertravel.ie )

The dancers, choreographers, and other staff who will be participating in this year's project to integrate Disney Characters into Buffalo Bill's Wild West Show (La Legende de Buffalo Bill) Disney Village, Disneyland Resort Paris, FRANCE, came to see the second show last night. Management laid out a large table in the outdoors break area, complete with white table cloth, drinks, and snacks, to welcome our new performers and supporting staff. The dancers are a very enthusiastic and likable group of young people whose positive energy should be welcomed, but some feel management missed an opportunity for basic team building and instead increased animosity towards management and the project itself by neglecting to invite the Wild West Show cast to the pre-show gathering. One stunt-team member allegedly complained that while the team for the characters got a white-tablecloth welcome and a free invitation to our show, the stunt team were required to attend a sober 3-hour training to work as a character in the Disneyland Park, and then had to dress up in a character costume and actually work for a shift.

Cowboy JM Falls of Horse, Folds in Half

Following the eyes of the other performers, I looked over and saw JM's butt and nothing else. He was on his back, folded in half, his backside facing the audience, the rest of him obscured. Fortunately his pants were still intact and in place. He remained frozen there for several seconds before finally unfolding and getting to his feet. Witnesses report that after JM caught the horse during the roping contest at Buffalo Bill's Wild West Show (La Legende de Buffalo Bill), Disney Village, Disneyland Resort Paris, he turned towards the other performers, perhaps showing off a little, and his saddle turned. Whether he forgot to tighten his cinch or not remains unclear. JM maintained his balance for a few more strides, then fell only a few feet from the curtain in the corner of Gold Star. SH said JM didn't roll or bounce to absorb the energy of the impact, he just hit the ground with a solid thump and folded in half. Annie Oakley rushed down to make sure JM was OK. He was. I added a five-second penalty to his time.

"Cowboys Booted" is Partly Fictional

KK came into my dressing room last night between shows to inform me he had read Cowboys Booted from Dance Rehearsal . We discussed the article and I learned that it contained the following errors:

1. Cowboy "RL" was not at the rehearsal. This was apparently an assumption on my part, following the conversation I had with RL in which he suggested the cowboys could go work on a ranch if they didn't want to rehearse properly. RL rehearsed on a different day. Whether he danced at the rehearsal or not I didn't verify, but probably he did.

2. PT was not late to the rehearsal, he just wasn't there, either because he wasn't scheduled to rehearse that day, or because he called in to say he couldn't make it. I made that assumption because NR had been complaining he'd been working in place of PT regularly during the rehearsal schedule.

3. The implication that the cowboys were relegated to the floor as some sort of statement of social status is unfair. In a dance studio, it's normal to have few chairs to maximize the use of space. If their rehearsal was anything like the one I attended after writing the article, the dancers also sat on the floor, and the directorial/management team probably spent most of their time on their feet conducting the rehearsal. There were tables and other props on which cowboys could have sat if they tired of the floor. Or, of course, they could have chosen to participate, which would also have relieved them of the discomfort of sitting on the floor.

4. According to KK, many of the cowboys present were not scheduled to attend the rehearsal but came anyhow, for reasons not made clear to me. For those not asked to attend, asking them to leave has a different significance than the article implied.

Disclaimer: While I have tried to be adequately accurate in my reporting, this is all hearsay, and generally one-sided information. Initials are used to protect the privacy of those involved.

Disney Comic Features Buffalo Bill

The current project to integrate Disney characters into the story of Buffalo Bill's Wild West Show is not new. A simple Google search revealed at least two comic books featuring Disney characters in the Wild West. Click on the image above to see a comic written by comic book writer and illustrator Don Rosa that features Uncle Scrooge McDuck and Buffalo Bill's Wild West Show. Disney characters on a cattle trail are also not new, as seen in "The Buckaroo of the Badlands," also by Rosa.

Cowboys Booted from Dance Rehearsal

Rehearsals have started for the Festival of Mickey Mouse, a company-wide initiative for 2009 that includes featuring Mickey, Minnie, Tic and Tac (Chip and Dale), and Goofy in Buffalo Bill's Wild West Show. Apparently friction is already showing up, resulting in Cowboys being told to leave one of the recent dance rehearsals.

(Consistent with the lax journalistic procedure that has come to characterize the content of The Casual Reporter, this is all hearsay, and generally one-sided information.)

Here's the juice:

The Cowboys and Stunts arrived on time at the rehearsal (except for Pete) and the cowboys were told they would not be required to dance if they didn't want to. They could just watch.

With the artistic coordinator, director, choreographer, and other self-important types supplied with chairs and the cowboys told to sit on the ground, the rehearsal started and continued for a couple hours, the Stunts and Richie dancing and rehearsing.

Finally, the director told the cowboys who were watching it was their turn to dance. Brock reminded Kramer that he was told he wouldn't have to dance. An argument ensued, ending with J.P. alleging that Brock had been paid to do nothing for the last two years (Brock was on training leave) and if he didn't want to be there, he should leave. Brock left.

Chad, who also sometimes plays the speaking parts, was ordered to dance. Chad reminded Kramer he was told he wouldn't have to dance. "Why did you come here then?" Kramer asked. Chad replied that he was asked to and he was getting paid overtime. The lead cowboy supported Chad, pointing out to Kramer that the cowboys were indeed told they wouldn't have to dance. Kramer said that if they didn't want to be there they should all just leave then. So they did, except for Richie, who later observed that there are plenty of ranches back in the states that the guys could work on if they didn't want to do their job here.

Hi ho, Hi ho! It's home from work we go!
(whistles)
Hi ho, Hi ho, Hi ho!